【だからキミは負けるんだ】
今日は、仕事のノウハウみたいなではなくて、僕が今、一番熱を入れている映画『えんとつ町のプペル』のお話をしたいと思います。
僕は、もともと漫才師としてスタートして、漫才を書いていて、自分を育ててくれた師匠と呼べる人が「後藤ひろひと」という劇作家ですから、舞台の脚本も書いていて……
そこから絵本作家に転職して、絵を描いて、ストーリーを描いて、で、絵本の曲も作るんですね。
あの「♪ハロハロハロハロウィン」って曲を作った人です。
https://youtu.be/Rihe2JOyLQA
劇場の楽屋に小道具のギターがあるもんですから、空き時間に触っているうちに、ギターが弾けるようになりました。
ちなみに、次々回作の絵本『夢幻鉄道』のテーマソングもいいのが作れたので、YouTubeで検索してみてください。
https://youtu.be/PkoCXybjrrw
そんな感じで仕事をしているので、映画『えんとつ町のプペル』における僕の役割は、「原作・脚本・製作総指揮・宣伝・作詞作曲」という忙しいことになっています。
このことを受けて、時々、「ゴーストライターがいるんでしょ!」と時々言われるんです(笑)
これに関しては、「西野がこんなに素晴らしいものを作れるハズがない」という意味なので、褒め言葉でしかないのですが、残念ながら、僕、ゴーストライターなんていないんです。
分業している場合は、「分業しています」と公表しています。
その方がいいんですよ。
いろんなクリエイターさんに「西野の仕事に参加したい」と思ってもらった方が得なので、絶対に、その人の名前を出す。
出さない場合もありますが、それは出すべきではない場合です。
たとえば、三日前にYouTubeチャンネルにアップした『えんとつ町のプペル』の動画の備考欄には、歌詞の他に、「歌、作詞作曲、編曲、振付」のスタッフの名前しか入っていません。
照明さんや美術さんや衣装さんの名前は入っていないんですね。
あくまで、あそこは音楽に関する情報を載せる場所として位置付けているので。
関わったスタッフの名前を全員書いてしまったら、80人ぐらいになっちゃう。
ああいった、いわば「CM」の場合は、基本、スタッフの名前は載せません。
テレビCMの最後に「ディレクター=○○」と出ないのと同じです。
ただ、ストーリーを書いたり、音楽を作ったりする場合、僕には「ゴーストライター」と呼ばれる人はいません。
珍しいパターンだと思いますが、こと「ビジネス書」においても、僕はライターを雇っていません。
自分で書いた方が圧倒的に早くて、自分の仕事が減るからです。
パフォーマンスでも何でもなくて、5万部売れるビジネス書でよければ、5〜6時間で書けます。
すでに自分の中にある体験と考察を文字起こしするだけなので。
「キー!」となるかもしれませんが、「ゴーストライターだろ!」と言っちゃたり、思っちゃったりする人が、コンパしたり、ナンパしたり、家族旅行に行ったり、ワイドショーを観てタレントの不倫にとやかく言ったり、何も考えずにボケーっと受験勉強している間、僕は、一つでも踏み誤ると死んでしまう戦場でずっと戦ってきました。
かれこれ20年ほど、平均労働時間は19時間です。
でもって、この20年というのは、「勝ちパターンを捨て続けた20年」で、コツを掴んだ職は、どんどん捨てて、新しい領域に挑戦し続けた20年です。
なもんで、能力と知識量に圧倒的な差が生まれるのは当たり前の話で、僕は「努力は報われる」ということを言っていきたいので、ここは隠したくありません。
反則技を使っているわけでも何でもなくて、「キミの1000倍努力してるから、キミの1000倍の結果を出しているんだよ」というだけの話だと思っています。
そして、この現実を受け入れず、「いやいや、ドーピング的な…何か特別な力が働いているに違いない」という思ってしまっているうちは、一生始まらないまま人生が終わっちゃうので、それが嫌なら受け入れてください。
「僕、こんな努力をしてますよ」と自分から言う奴、なかなかいないと思うのですが、いい機会なので言っておきます。
今日も映画『えんとつ町のプペル』のアフレコがあるわけですが、そこでは、声優さんから質問があったり、「ここは、こんな感じでお願いします」と指示を出さなきゃいけない。
なので、家で「指示を出す練習」をしていくんです。
自分も、実際にやれるようにしておく。
たとえば…
「えんとつ町は煙突だらけ。
そこかしこから煙が上がり、頭の上はモックモク、黒い煙でモックモク。
朝から晩までモックモク。
えんとつ町に住む人は黒い煙に閉じ込められて、青い空を知りやしない。輝く星を知りやしない。
見上げることを捨てた街で、一人の男が上を見た。
町を覆った黒い煙に、男が想いを馳せたのは、酒場で出会ったお喋りモグラが聞かせてくれた夢物語。
煙の向こうの世界の話。光り輝く世界の話。
ありやしないと思ったが、全くないとも言い切れない。
なぜなら誰も行っていない。答えは誰も持っていない。
それから男は日ごと夜ごと、煙の向こうの世界の話を、何度も何度も叫んだが、バカだバカだと囃されて、ホラ吹きものだと切り捨てられた。
男が一体、何をした。
男が誰を傷つけた?
そこに理由はありゃしない。
見上げることを捨てた町では、『目立たぬように』の大合唱。
見上げることを捨てた町では、夢を語れば笑われて、行動すれば叩かれる。
黒い煙は町を飲み込み、一縷の光も許さない。
黒い煙は人を飲み込み、あらゆる勇気を認めない。
それでも男は声をあげ、震える膝をひた隠し、船に乗り込み海にでた。
暗くて怖い海にでた。
誰もいない海にでた」
これは主人公の少年の父親が、自作の紙芝居を披露するシーンのセリフなのですが、今、僕は何かを見ながら書いたわけではなくて、これぐらいは暗記してるんです。
指示を出す人間として、これぐらいは。
これって、「何回もやっているうちに覚えた」という類のものなので、才能とかセンスじゃないじゃないですか。
これがプロです。
もし良かったら、一度、僕の会社のインターン生にでもなって、僕の近くで、僕の仕事を見てみてください。
たぶん、絶望すると思います(笑)
先ほども申し上げましたが、「努力がモノを言う」というところを伝えていきたいので、今後も、この部分は包み隠さず、積極的に頑張ったアピールをしていきたいと思います。
そうそう。
映画公開は12月25日なのですが、12月25日の夜に、YouTubeの生配信をして、映画をご覧になられた方に向けて、「あそこのシーン、実は○○なんだよ」という話をしたいので、映画は初日に観に行ってください。
今のうちに、12月25日のスケジュールに印を入れておいてね。
それでは、映画『えんとつ町のプペル』のアフレコに行ってきます。
▼西野亮廣の最新のエンタメビジネスに関する記事(1記事=2000~3000文字)が毎朝読めるのはオンラインサロン(ほぼメルマガ)はコチラ↓
https://salon.jp/nishino
That's why you lose.
Today, it's not like work know-how, but I would like to talk about the movie ′′ a in the town ′′ that I'm in the middle of the day, and I'm going to have a good time.
I was originally a manzai teacher, writing a manzai, and a master who raised me is a playwright called ′′ goto hiroto...... so I also wrote the script of the stage......
I'm going to change my job to a picture book writer, draw a picture, draw a story, and make a picture book song too.
This is the one who made the song. Hallo Halloween ′′
https://youtu.be/Rihe2JOyLQA
There's a prop guitar in the theater dressing room, so I can play guitar while I'm touching the free time.
By the way, I was able to make a theme song for the picture book ′′ Phantom Railway ′′ which was made one after another, so please search for it on Youtube.
https://youtu.be/PkoCXybjrrw
I'm working like that, so my role in the movie ′′ a in the town ′′ is going to be busy called ′′ Original Script Production General command promotion lyrics,"
Sometimes it's said that sometimes," there's a ghost writer!" lol
As for this, it means ′′ Nishino can't make such a wonderful thing," so it's only a compliment, but unfortunately, I don't have a ghost writer.
If you are in the middle of labor, you are publishing ′′ division of labor,"
It's better to be.
It's better to have a lot of creators think ′′ I want to participate in nishino's work so I'll definitely name the person.
Sometimes you don't put it out, but it's if you shouldn't put it out.
For example, in the notes section of the video of ′′ a no-′′ that I uploaded to the youtube channel three days ago, besides the lyrics, there is only the name of the staff of ′′ songs, lyrics, arrangement, choreography ′′ I'm sorry.
There is no name of lighting, art, or costumes.
It's just that it's a place to put information on music.
If you write all the names of the staff involved, it will be about 80 people.
Oh well, so in case of ′′ cm I don't put the name of the basic, staff.
At the end of the tv commercial, ′′ it's the same as not going out with director.
It's just that if you write a story or make music, I don't have anyone called ′′ Ghost writer
I think it's a rare pattern, but even in the ′′ business book I don't hire a writer.
It's more overwhelming to write yourself, because my work is reduced.
If you don't have a performance or anything, you can write it in 5 TO 6 hours if you don't mind a business book that sells 5 million
I'm just going to make a character of my experience and thoughts already in my own.
It may be ′′ key!" but," it's a ghost writer, and people who think about it, are compound, flirting, family trip, and watch the shows. I've been fighting for a battlefield where I'm going to die when I'm talking about talent adultery, and I'm studying the exam without thinking about anything.
It's been about 20 years, average working time is 19 hours.
So, this 20 is," 20 years that I've been throwing away the winning pattern," and the job that grabbed the trick is more and more throwing away, and it's been 20 years since I've been trying to challenge the new area I'm sorry.
So, it's obvious that the overwhelming difference in the ability and knowledge is born, and I want to say that ′′ effort is rewarded so I don't want to hide it here.
I'm not using a foul trick, but I'm just saying that I'm trying twice as hard as you, so I'm going to have 1000 times the results of you," I'm sorry.
And I don't accept this reality," no no, it's doping... I think something special is working... my life is over without starting for a lifetime. So accept it if you don't like it.
I don't think there's a person who says ′′ I'm doing this kind of effort but I'm going to say it because it's a good opportunity.
There is also a recording of the movie ′′ a in the town ′′ today, but there is a question from the voice actor, and I have to give instructions that ′′ I'm going to have a good time here,"
So I'm going to do ′′ practice to instruct ′′ at home.
I will actually be able to do it.
For example...
′′ A town is full of chimney.
Smoke from there, moc mok on my head, black smoke and moc mok.
Moc. from morning to night.
People who live in a town are trapped in black smoke and don't know the blue sky. I don't know the shining stars.
In a city that abandoned looking up, one man looked up.
The Black smoke that covered the town, the man made his thoughts on the dream that the heyyy mole I met at the bar told me.
The story of the world across the smoke. The story of the shining world.
I thought it wouldn't be, but I can't say it at all.
Because no one has gone. No one has the answer.
Then the man shouted over and over again, day and night, the story of the world across the smoke, but he was told that he was stupid, and he was cut off as a hola.
What the hell did a man do?
Who did the man hurt?
There is no reason there.
In the town that abandoned looking up, a big choir of ′′ conspicuous,"
In a town that abandoned looking up, if you speak your dreams, you will be laughed, and if you act, you will be slapped.
Black smoke swallows the town and doesn't allow the light of all times.
Black smoke swallows people and doesn't acknowledge every courage.
And yet the man gave a voice, trembling his knees, and he got into the ship and went to the sea.
It was in a dark and scary sea.
I was in the sea with no one ′′
This is the line of the scene of the protagonist boy's father showing off his own kamishibai, but now I didn't write it while watching something, and I'm memorizing this much.
As a person who gives instructions, this is so much.
This is the kind of thing that ′′ I remembered while I've been doing it many times," so it's not talent or sense.
This is the professional.
If you'd like, once you'd like to be my company intern student, near me, take a look at my work.
I think I'm probably going to despair lol
I said it earlier, but I want to tell you that ′′ effort is saying things," and in the future, I would like to make an appeal that I have been actively working hard.
That's right.
The movie is on December 25th, but on the night of December 25th, I'm going to have a live broadcast on Youtube, and I'm going to have a good time with the movie," the scene over there, actually ○○ I want to talk about ′′ what is it so go see the movie on the first day.
While you're in the middle of the day, mark your schedule for December 25th.
Well, I'm going to go to the recording of the movie ′′ a in town ′′
▼ an article about the latest entertainment business of ryo nishino (1 articles = 2000 to 3000 characters) can be read every morning online salon (almost mail magazine) is here ↓
https://salon.jp/nishinoTranslated
同時也有50部Youtube影片,追蹤數超過22萬的網紅Sam Lin Music,也在其Youtube影片中提到,🎧【數位線上聽】 ► https://samlin.lnk.to/NeverTooLateFA 來追蹤我!COME FOLLOW ME! FACEBOOK: https://www.facebook.com/samlinmusic/ Instagram: https://www.instagra...
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the one that got away lyrics 在 李怡 Facebook 的精選貼文
Brave the pain, Hongkongers (Lee Yee)
In his comments on my yesterday’s article, a reader left me a YouTube link to an English version of “March of The Volunteers”rendered by Paul Robeson, an American singer who was celebrated in my youthhood. The lyrics are as follows,
「Arise, you who refuse to be bond-slaves./Let's stand up and fight for/Liberty and true democracy!/All our world is facing/The chains of the tyrant./Everyone who works for freedom/Is now crying./Arise! Arise! Arise!/All of us with one heart/With the torch of freedom!/March on!/With the torch of freedom!/March on! March on!March on and on!」
Information shows that Robeson chanting this English version in a concert held in New York in 1941 was captured in the video. That year, Liu Liang-mo, a leftist conductor, was dispatched by YMCA to further study in America. Since the Pacific War broke out, Liu had been engaged in a propaganda war against Japan. Presented by Lin Yu-tang, an eminent Chinese novelist and philosopher, he met Robeson and sang in front of the American a few war songs of anti-Japanese invasion, including “March of The Volunteers”. A few weeks later, Robeson made an announcement that he would sing a song named “Chee Lai” for Chinese. He then vocalized in Chinese before belting out the English lyrics mentioned above.
In the English version, no “Chinese nation”, “the Great Wall”nor “enemies’ gunfire” is found, which makes “you who refuse to be bond-slaves” even more outstanding. Without distorting the original gist of the Chinese lyrics, the import of the English version, which encourages people to throw off the shackles of tyranny and fight for freedom as well as genuine democracy, is even more universal and perpetual.
Fights for freedom have been waxing and waning in succession throughout times and across lands for the fact that history has unequivocally manifested that people are being relentlessly enslaved by tyranny and freedom persistently suppressed by authoritarians.
Since 1997, after Hong Kong people had enjoyed liberty for more than one hundred years, freedom has been continually eroded and chipped away. In contrary to the authoritarian of gigantic power, Hong Kong is isolated and feeble. Being put in a vulnerable position, Hong Kong people used to have only three options: 1. Abscond from home, which means emigration; 2. Get used to living in a place with less and less freedom; 3. Haggle over protection for ourselves in an inferior position. The fourth one, “struggle to resist at the cost of one’s life” , had not even been contemplated until the anti-extradition amendment bill movement last year, in which young people were the vanguard and more than half of the population got embroiled.
Why did I put forward half of the population, but not a small minority figured out by the Chinese Communist Party? The reason is undisputed with just a glimpse of the mainstream opinion online, 2 million people in the demonstration and the ballot of the District Council Election.
Dragging on and on, the last year struggle, which tired Hong Kong people out, was to no avail. Since the Hong Kong version of national security law was tabled, the three options mentioned above have resurfaced. Confronted with the peremptory China, which has been legislating for Hong Kong in violation of the Basic Law, some legal professionals and democrats in town would rather succumb to the illegitimacy and counter-propose certain terms and conditions to safeguard the rights of Hong Kong people, including the provisions of retroactivity wiping off, interpretation of the law in accordance with common law, defendants tried in Hong Kong’s courts, stipulation of a sunset clause, etc.
When the US intended revising Hong Kong’s special status with regard to the Hong Kong version of national security law, some of them suggested that to preserve a firewall between Hong Kong and China, the US should conserve a little bit of the special status.
The haggling over protection for Hong Kong people in an inferior position, the third option, is surely not out of bad intention. Be that as it may, regarding what we have been experiencing in the past 20 years, showing the white feather would not stop the mighty authoritarian from seizing the overall jurisdiction of Hong Kong. Though conflicts might be alleviated, the plight of Hong Kong people would only worsen in front of the insatiable authoritarian. Worse still, Hong Kong people knuckling under to it would hinder the US from sanctioning China and Hong Kong.
Getting pained by uncompromising struggles has to be anticipated. The US sanctions on Hong Kong are definitely painful to Hong Kong people. In the past couple of days, Yuen Kung-yi said: To take this route, Hong Kong people should brave the pain.
Perhaps those who come to the middle ground intend Hong Kong people to reserve the minimum protection. Yet, meanwhile, I am reminded of the wisdom of a classic philosopher, Friedrich Hayek: Those who fantasize about trading their basic freedom off for minimum protection would eventually find out that they are given neither freedom nor protection.
Robeson’s husky singing is reverberating in my ears.
the one that got away lyrics 在 茱力&Black Music Lovers Facebook 的精選貼文
茱力看到有外國網友在 J.Sheon (街巷) 官方youtube下面苦求「旋律讚,但聽不懂中文RRR」,因此做了個 #呼吸 (Breathing)的英文歌詞翻譯,已火速在水管上回覆給每個想聽懂中文的粉絲囉💜這是一個「#西天吸金」的概念,進軍國際、勇敢自信世界同行,翻成英文,翻翻翻翻,我翻就是了!(吵)
.
Lyricist:J.Sheon街巷/雀斯坦莊
Composer:J.Sheon街巷/雀斯坦莊
.
(Lyrics Translation: #BREATHING💜
Translation from an old pal of J.Sheon, whose name is also J.)
.
🔰IDEAS:This song is about one of J.Sheon's IDEAL TYPES, a cat-like lady or maybe a cat-like gentleman who remains mysterious, graceful and lovable🌈.
.
---(the following part is J.Sheon’s lyrics----)
.
You usually don't remember all the details that well,
Do you still have me as someone special on your little Kitten mind?
.
All of a sudden, your face pops out in my head and I would like to touch your palms gently.
.
Do you mind if I ask you out on an real DATE? If a stray like you, ever really needs some company from me.
.
Let me spend time with you, scratch you on the back and idle days away.
.
.
You've made me a slave and stole my heart, all for you.
You've got me locked in a maze, I'll do anything, anything, anything for you.
Your hair made me lose my breath, Oh, totally got me blown away.
.
How am I supposed to NAIL you anyway?
Your sexy back got my heart all drenched in wine.
(like Norah Jones' "don't know why")
.
My casual habit is CHILLING with ju and talking about nothing at all.
Chill on the bench at park,
flirting with you,
humming your favorite lyrics.
.
You are so BOSSY that you take over my entire BED, keeping me away from DREAMing and IDLING away.
You do it on purpose, yes you do.
.
TAKE IT SLOW, let's ROLL.
Hold my hand tight, do not let go.
.
You've made me a slave and stole my heart, all for you.
You've got me locked in a maze, I'll do anything, anything, anything for you.
Your hair made me lose my breath, Oh, totally got me blown away.
.
How am I supposed to NAIL you anyway?
Your sexy back got my heart all DRENCHED in wine.
.
(like Norah Jones' "don't know why")
.
You've made me a slave and stole my heart, all for you.
You've got me locked in a maze, I'll do anything, anything, anything for you.
Your hair made me lose my breath, Oh, totally got me blown away.
.
(DONE,已處理🤙)
.
PHOTO CREDIT:BANG,2017/06.
.
the one that got away lyrics 在 Sam Lin Music Youtube 的最佳解答
🎧【數位線上聽】
► https://samlin.lnk.to/NeverTooLateFA
來追蹤我!COME FOLLOW ME!
FACEBOOK: https://www.facebook.com/samlinmusic/
Instagram: https://www.instagram.com/samlinmusic/
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抖音: @samlin123
Sam Lin 自小在加州長大,長期備受古典樂的薰陶。六年前,他大膽放棄原本安逸的金融業高薪,來到台灣這片熟悉又陌生的「家鄉」,展開了音樂人生的新篇章。從一句話都無法好好表達,到現在能流暢寫出激勵人心的中文歌詞,他經歷了一次又一次的人生變動,但他從不後悔,持續堅定向前。
或許正因為長期沐浴在溫暖的加州陽光下, Sam Lin 的詞曲往往散發著強烈的正能量。他希望在這動盪的世界,能夠透過自己的嗓音帶給大家一道驅散所有陰霾的曙光。在「Never too late」中,他跟自己說:「Only you, I went and gave my all.」用告白式的口吻,愛著之前用盡最大努力做出改變的自己,跟過去的自己道謝,並轉身向世界大聲宣告:即使再來一回,他也不會後悔!
卸下百萬觀看人次 YouTuber 的光環, Sam Lin 以歌手身分全新出發。
2021華納音樂最舒心的推薦,Sam Lin
歌名 Song Title: Never Too Late
藝人 Artist: Sam Lin 林仲軒
作詞人 Lyrics: Sam Lin 林仲軒 / Laurence 羅藝恆 / Sean M. Sinclair 宋星凱 / Samuel J Shih 施振傑
作曲人 Composition: Sam Lin 林仲軒 / Laurence 羅藝恆 / Sean M. Sinclair 宋星凱 / Samuel J Shih 施振傑
製作人 Producer: Sean M. Sinclair 宋星凱
編曲人 Arrangement: Sean M. Sinclair 宋星凱
配唱師 Vocal Production: 倪子岡 NESE
和聲編寫 Backing Vocal Arrangement: Laurence 羅藝恆
和聲 Background Vocal: Sam Lin 林仲軒 / Laurence 羅藝恆
錄音師 Recording Engineer: 王爺斯禹 Swing Wang
錄音室 Recording Studio: 這家錄音室 Resident Studios
混音師 Mixing Engineer: Sean M. Sinclair 宋星凱
混音工作室 Mixing Studio: 這家錄音室 Resident Studios
母帶後製 Mastering Engineer: Derek Snyder
母帶後製工作室 Mastering Studio: Polygon Mastering
#samlin #samlin林仲軒 #nevertoolate
【Never Too Late】
演唱:Sam Lin 林仲軒
不用挽回
I know someday
I’ll be ok
Something ‘bout me
Off the replay
Found my own way
Never too late
再來一回 我從來沒後悔
Left my home
Didn’t have much to show
Only you
I went and gave my all
Now you’re gone
Left me here on my own
On my own Not alone, yeah
找回來曾經沒有你的勇氣
不喜歡我的態度 我不在意
不要再糾結 又怎麼能白費
All that I made
-
不用挽回
I know someday
I’ll be ok
Something ‘bout me
Off the replay
Found my own way
Never too late
再來一回 我從來沒後悔
當時天黑 沒人安慰
愛的淚水 深有體會
是是非非 No one to blame
傷痛如灰 Just let it wash away
-
有時候寂寞 有時候脆弱
是我想太多 Out of my control
像以前的我 他會怎麼說
I got to know
Don’t need somebody to complete me
This is where I’m supposed to be, yeah
-
不用挽回
I know someday
I’ll be ok
Something ‘bout me
Off the replay
Found my own way
Never too late
再來一回 我從來沒後悔
當時天黑 沒人安慰
愛的淚水 深有體會
是是非非 No one to blame
傷痛如灰 Just let it wash away
the one that got away lyrics 在 Gina music Youtube 的精選貼文
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西洋音樂愛好者✨這裡不會有冗長的介紹文卻是個讓你挖歌的好地方😎
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____________________________________________________
Social Media:
▶ Download / Stream link : https://zacharyknowles.lnk.to/carpool
👑Zachary Knowles
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https://m.facebook.com/zacharyknowlesmusic
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Lyrics:
I spent way too long on the interstate
在公路上迷失了太久
Put a couple hundred miles on it yesterday
昨天好像跑了幾百英里
Only so many songs that I can sing yeah
陪伴我的只有我會唱的歌曲
By myself
獨自一人
Started daydreamin just to get away
開始做白日夢只是為了逃避現實
But I almost crashed the car so I hit the brakes
在車要被撞壞前勉強踩了刹車
Only so much distance that I can take yeah
我只能到這裡了嗎
By myself
就我一個人
Cause I’m feelin strange it makes my head hurt
百感交集 頭痛難忍
Wish you were here to make it better
倘若你在身邊 這一切不會發生
It’s not the same when you’re away from me
但你早已離我而去
Wishin I could be in the carpool lane
多希望我在車道上行駛
Got you right there sittin next to me
而你坐在我的身邊
We’d be passin everybody
我們風光地超越所有車輛
Goin a hundred and ten down the highway
沿著高速公路走了一百一十公里
Wishin I could be in the carpool lane
多希望我能和你再相見
Feet up on the dash sittin next to me
你像以前一樣把腳靠在儀錶板上
But you’re not here no one to hold me
但昔人已去 再也沒有擁抱我的人
It takes two wish it was me and you in the
多希望現在是你和我兩個人
Carpool lane, yeah
行駛車道上
Carpool lane, oh yeah
一邊飆車
Carpool lane
一邊享受我們的甜蜜
It takes two wish it was me and you
多希望能回到那段美好的時光
I see the sun’s goin down tryna get away
夕陽西下
And I can’t see straight through the pourin rain
大雨傾盆 蒙蔽了我的雙眼
Still, so many things that I need to say
我還有好多想和你說的事情
Need to say need to say yeah
需要說出口
Have I been drivin in the wrong direction
難道我從一開始就走錯了路嗎
I’ve been so caught up think I missed my exit
沉溺其中 無法自拔
It would’ve taken me right to you
此刻我們本該在一起的
Right to you you you
你本該在我身邊的
Cause I’m feelin strange it makes my head hurt
百感交集 頭痛難忍
Wish you were here to make it better
倘若你在身邊 這一切不會發生
It’s not the same when you’re away from me
但你早已離我而去
Oh no no
我好後悔
Wishin I could be in the carpool lane
多希望我在行駛車道上
Got you right there sittin next to me
而你坐在我的身邊
We’d be passin everybody
我們風光地超越所有車輛
Goin a hundred and ten down the highway
沿著高速公路走了一百一十公里
Wishin I could be in the carpool lane
多希望我能和你再相見
Feet up on the dash sittin next to me
你像以前一樣把腳靠在儀錶板上
But you’re not here no one to hold me
但昔人已去 再也沒有擁抱我的人
It takes two wish it was me and you in the
多希望現在是你和我兩人
Carpool lane, yeah
行駛車道上
Carpool lane, oh yeah
一邊飆車
Carpool lane
一邊享受我們的甜蜜
It takes two wish it was me and you
多希望能回到那段美好的時光
(Carpool lane)
好想和你一起
But you’re not here no one to hold me
但一切都結束了
It takes two wish it was me and you in the
多希望現在是你和我兩人 行駛在車道上啊
歌詞翻譯 : 馬龍
#ZacharyKnowles #Carpool #Lyrics #西洋歌曲推薦
the one that got away lyrics 在 Gina music Youtube 的精選貼文
Don't forget to turn on the bell icon for future uploads 🔔✔️
西洋音樂愛好者✨這裡不會有冗長的介紹文卻是個讓你挖歌的好地方😎
追蹤Gina music社群挖掘更多音樂🌹
facebook👉 https://www.facebook.com/Ginamusicland
instagram👉https://www.instagram.com/ginamusic_yujia/
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想讓更多人認識你的聲音嗎?歡迎投稿😎
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For business inquiries about copyright issues, photos and song submissions,
please contact👉 https://www.facebook.com/Ginamusicland
____________________________________________________
Social Media:
▶ Download / Stream link : https://listen.monstercatmusic.com/meandyou-padb
👑Sabai:
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👑 Rave New World:
https://soundcloud.com/ravenewworldmusic
https://twitter.com/ItsRaveNewWorld
---------------------------------------------------------------------------
Lyrics:
Me and you, you and me, was a dream at first
你和我最初不過只是個夢
I got lost, in your world, in your universe
我迷失在你的世界裡 你的宇宙裡
I never thought our love would ever end
沒想到我們的感情會結束
I messed up, made it worse, pushed you away
是我搞糟了 推開了你
All that fighting and pain, till you left one day
爭吵伴隨著痛苦 直到有一天你離開了
Wish I could take back all those things I said
好希望我可以收回我說過的那些話
I can't deny that I miss you, and I know that you miss me too
無可否認我想念你 而我知道你也想念我
So let's get over our issues, and go back to me plus you
所以忘掉我們在意的問題 回到彼此的身邊
I know that things weren't perfect
我知道世事不完美
But I think it's worth it, nobody knows you like I do
但我覺得這是值得的沒有人像我這樣懂你
I can't deny that I miss you, I miss you,
無可否認我想念你
Let's go back to me plus you
讓我們回到彼此的身邊
I can't deny that I miss you, and I know that you miss me too
無可否認我想念你 而我知道你也想念我
So let's get over our issues, and go back to me plus you
所以忘掉我們在意的問題 回到彼此的身邊
I know that things weren't perfect
我知道世事不完美
But I think it's worth it, nobody knows you like I do
但我覺得這是值得的沒有人像我這樣懂你
I can't deny that I miss you, I miss you,
無可否認我想念你
Let's go back to me plus you
讓我們回到彼此的身邊
I'm a mess, I'm a wreck, when I see your face
每當看見你的臉 我的心就很亂
And I know that you're feeling exactly the same
我知道你也有同樣的感受
Let's stop pretending we should stay apart
讓我們別再偽裝 我們該分開了
Tried to meet someone new, but they can't compare
想要遇見一個新歡 但沒誰能與你相比
And I know that I'm being a bit unfair
我知道不太公平
But you're the only one that's in my heart
但你就是我心裡唯一的牽掛
歌詞翻譯:FangFuyuan
#Sabai #RaveNewWorld #MeYou #Lyrics #輕電音
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